
![Digital Art [Interactive Art] Division Digital Art [Interactive Art] Division](/english/festival/images/h2_degital-en.gif)
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| © 2001 Nintendo |

Shigeru Miyamoto
Born on November 16, 1952 in Sonobe-cho, Kyoto. Majored in industrial design at Kanazawa College of Art and joined Nintendo after graduating in April 1977. In October 2001, Miyamoto became a managing director at Nintendo and is director of information development.
Individual awards
1990
The Japanese Cultural Design Prize
1993
Japanese Software Awards '92 MVP
1996
Asahi Digital Entertainment Awards' Home Bumon, Kojinsho ("Award to Individual Artists, Home Division")
1997
AMD Awards '96 Best Producer/Director Award
1998
The First Interactive Achievement Awards Hall of Fame Award
13th Multimedia Grand Prix 1998 MMCA Chairman's Award
1999
1999 (2nd) Agency for Cultural Affairs Media Arts Festival Grand Prize in the Digital Art [Interactive] Division for The Legend of Zelda: Ocarina of Time (development team representative).

Are video games in a rut? A disproportionate emphasis on technology and graphics has taken away from the appeal of game design itself and accelerated the reduction of the video game market. I wanted to use the superior capabilities of the leading-edge game console GAMECUBE not only to produce higher quality graphics, but also to take another good look at what it is that constitutes the appeal of games themselves. By incorporating in new ways the interactive element not found in other media, I was able to create a brand new type of fictional character, the Pikmin, and make them seem like actual living creatures. That is the appeal of the video game medium. Everyone on the staff is very satisfied with the game and we are delighted to win this prize. As for the game itself, can you separate the bad guys from the good guys? I'm confident that we've created a new genre that can't be classified generically. (Shigeru Miyamoto, Pikmin development team representative)

Pikmin meets head on the death of living creatures that most games tend to conceal. In spite of the seriousness of the story, the fantastic graphics and realistic collective behavior of the Pikmin leave gamers with a heart-warming feeling. Pikmin's natural incorporation of light and dark creates a realism not previously experienced in video games.