Award-winning Works

Animation Division

THE BOOK OF THE DEAD
© Sakura Motion Picture Co,Ltd/The Kawamoto Productions Ltd.
Excellence Prize

THE BOOK OF THE DEAD

Long Animation (Movie)

Artist : KAWAMOTO Kihachiro

(Japan)

Profile

KAWAMOTO Kihachiro

KAWAMOTO Kihachiro

Born in Tokyo, 1925. Animation creator, puppet artist. Studied under Czech master artist, TRNKA. Presented unique animations such as Dojoji one after another, also in charge of puppet art in NHK's puppet play Sanguozhi.

Comment

THE BOOK OF THE DEAD is based on the book SHISHA NO SHO originally written by ORIGUCHI Shinobu which was on a difficult subject, but I interpreted this as a story of "obsession and deliverance" in which the properties of puppets can be fully utilized. The story, which tells about the earnest faith of FUJIWARA no Iratsume appeasing the wandering spirit of Otsu no Miko who has died a violent death at a young age, now, gives a hint about questions as to what are the Japanese and where they are going. I feel that I could express something in an area where no one has gone before with the help of the expressive power of puppets.

Reason for Award

This work is an undeniable masterpiece. The director KAWAMOTO Kihachiro, one of the leading puppet animation artists, also creates his own artistic puppets, 30 years after he was inspired by the author ORIGUCHI Shinobu's original novel, and succeeded in making it into a great film. Taking place in Nara in the 8th Century, through an encounter of the spirits of a daughter of FUJIWARA-NANKE and Otsu no Miko who died a violent death, KAWAMOTO weaves a glorious and visionary story of human beings' obsession and deliverance. A puppet animation, it is a mystic and fertile world structured by an incredible amount of time, energy, and sensitivity, and has a magical power which captivates viewers. It will be difficult to meet another such animation in the near future. In the beautiful silence which puppets weave, we cannot help feeling the strong will and high aspiration of director KAWAMOTO who is now in his 80s.

11 Q&A

Q1
How old were you when you "created" something first time in your life? At that time, what did you create, and what kind of medium did you use?
A1
4 years old. I made a Japanese paper doll by copying one my grandmother was making.
Q2
What kind of tools or medium do you use now? Please tell us the reason why you choose them.
A2
Tweezers.
Q3
If you could get "dream tools/medium" for your creation, what do you wish to get?
A3
Tweezers.
Q4
Do you have any consistent subject matter or theme through your works? If so, please explain us.
A4
Infatuation and Nirvana.
Q5
Please tell us the most difficult or considerable part when you create your work.
A5
The fact that my work can only be properly expressed through puppeteering.
Q6
Have you ever felt that your work is a "media art"? Also, what is the difference between "media arts" and "traditional fine arts"?
A6
I have never felt that way about my work.
Q7
As an artist/creator, please tell us your approach, stance or point of view when you create your work.
A7
To use puppets in a new way.
Q8
What is your motto?
A8
“All is vanity, matter is void.”
Q9
What kind of situation in every day life do you get inspired most?
A9
When reading well written literature (i.e. novels, poetry, haiku etc.).
Q10
What kind of vision do you have in your future development as the creator?
A10
To achieve the form of expression I have been pursuing with puppets.
Q11
Please name of the people, things, or phenomena that you have got most influenced by as the creator.
A11
Jiri TRNKA
He is the Czech master artist of puppet animation, who opened my eyes, so that I could see the true nature of the puppets.

The heads of Bunraku puppets
I’m told that they use archetypal faces as a character device.

MATSUO Basho
I have made a study of his ideas, such as “Fueki Ryuko” or “Honjo-ron”, and I consider them to be ideal precepts for Japanese artists.