There are iron railings on a hill overlooking the city of Dresden. When you rest your elbows on the railings and place your hands over your ears, the sound of descending airplanes and exploding bombs can be heard through bone conduction. In 1945, in the last days of World War ll, U.S. and British forces carried out a random bombing raid over Dresden in eastern Germany. To cope with the sound of the air raid, the people of Dresden at that time covered their ears and bent their heads in the same way as the audience experiences this installation. This work hands down the city’s tragic memories.

Markus KISON
Born in Ulm, Germany, 1977. Educated as a graphic designer in Ulm, and graduated with distinction. Worked as an editor. Studied physics at the University of Ulm, and afterwards visual communication in the Digital Media Class at the University of the Arts Berlin. Graduated in May, 2008. Currently working in Berlin/Tokyo.
I am very happy to receive this prize because touched echo was a very challenging work for me. From the beginning I asked myself if my work treats this terrible chapter of German history in an adequate way. How will people who were in Dresden during that night think about my work? But as the reactions of those people were very positive and because I have received an award like this, I know now that I have dealt with this topic in a sensible way. Thank you very much.
A park with a sweeping view of the city of Dresden. The audience finds a picture of a human figure bending its elbows and placing its hands by its ears on the balustrade of this terrace. They might wonder what it means, and try to adopt the same pose as in the picture. Then, the sounds of airplanes flying overhead and exploding bombs penetrate their ears through their hands. At the same time, the artist causes the balustrade to vibrate, and the audience, whose elbows are resting on the balustrade, become aware of the sound of the bombardment through bone conduction. The audience then realizes that Dresden was almost entirely destroyed in an air raid on February 13, 1945, with enormous loss of life. As you look at Dresden spread out before you, you can hear the sound of an aerial bombardment. The presentation is simple but has critical power and the element of surprise. In this genre, there is a tendency to focus on technological aspects, but if the work claims to be a piece of art, the main issue should be what it conveys. The artist received high praise for his engagement with the human philosophical perspective and addressing the historical issues while making full use of technology.
What makes you create a work?
Looking at people, looking at situations.
What tools do you use the most at present?
Most of my work uses an Internet connection to ask questions about the "now," kind of finding a digital self-awareness.
What do you place greatest value on in your work?
The most important question is the "why." Why should I build this? Why should I use these expensive electronic components? For me the correlation between the efforts to build it and the output impact is an indication of the value for how satisfied I am with the work.
What personal concept runs through your creative activities?
My usual workflow starts with the intuitive interest in a special data material, which I think implies something, which has not been focused on yet and that is precious. I start to ask myself questions about this topic and try to find cultural relations. Having found a statement about it, I combine the data material with a physical object to point to this context.
When you create a work, in what way do you think of a presentation using technologies or media as a means to communicate?
Digital material plays a huge role in our everyday life, although the philosophic consequences of a digital world are not understood at all. This makes me very curious.
Could you name a person, a work, or an event that you have been most influenced by?
The precise musical statement of industrial metal band Nine Inch Nails during their tour "and all that could have been" in 1999 gave me an understanding of the incredible possibilities of human communication. I knew such convincing communication only from nature before.
What kind of work would you like to create in the future?
After working on physical objects for some years, I am thinking about going back to the beginning of my work and concentrating on the virtual representation of reality using programming tools.
What is the meaning or importance of creating for you?
For me "create" means to develop an exploring thought and to communicate it understandably and intuitively.
![2008 [12th] Japan Media Arts Festival Award-winning Works 2008 [12th] Japan Media Arts Festival Award-winning Works](/english/festival/images/h1_jusyousakuhin-en2008.gif)









