Encouragement Prize
insider||outsider
Installation
Artist : EBIHARA Yu
(Japan)
This is an installation containing parts of the human body, sound, and visual images. Using simply drawn animation, it depicts human figures emerging in the creases of the visual image, people passing by, the edge of the shore, and an interview with an old man. At first glance, things are arranged without any seeming connection, but in fact, this installation shows the various ways the artist is interested in human beings.

EBIHARA Yu
Born in 1983, Saitama. She completed her study in the graduate school of Tokyo University of the Arts. As a university student, she started to produce installation work that takes hand-drawn animation as its main material, and took part in numerous group exhibitions in various spaces. She has continued to pursue her creative activities, expanding outlets for her works in galleries, clothing stores, and cafes.
I think many people including myself live by working out a deal with things, sometimes as an insider and other times as an outsider while feeling oneself trapped in various everyday contexts. I created this work to sublimate such thoughts and awakenings in interesting forms. I am very happy to assess my work in this way. Thank you very much. I would like to extend my deepest gratitude to the people involved.
This work was presented in a graduate exhibition of Tokyo University of the Arts. It combines animations depicting everyday life in Japan with surrealistic touches by TABAIMO and conceptual and poetic hand-drawn animations such as the works of William Kentridge or Francis Alys. Screens depicting pedestrian traffic drawn with rhythmical lines, leaving an impression of hand-drawn textures, and screens showing heartwarming animations of an interview with an old man are combined in different sizes on a multi-projection screen. This installation is impressive and has an appealing power to quietly strike a chord with the audience.
What makes you create a work?
Through having created something, to experience the feeling that I was able to touch the creator’s way of looking at things without any explanation.
What tools do you use the most at present?
I use tracing paper, standard paper, drawing paper, pencils, watercolors and other stuff for original drawing these days. For editing, I use a PC and peripheral equipment.
What do you place greatest value on in your work?
Timing and texture.
What personal concept runs through your creative activities?
The time and space in which human beings are living.
When you create a work, in what way do you think of a presentation using technologies or media as a means to communicate?
I think technology is effective to present something intangible and a means whereby a creator and a viewer can easily become involved. I would like to use it as skillfully as necessary.
Could you name a person, a work, or an event that you have been most influenced by?
My present self has been established through the influence of many people and events. I can’t pick just one. In particular, my favorite artists are William KENTRIDGE, Agnès VARDA and SUZUKI Harunobu.
What kind of work would you like to create in the future?
Easy, deep, and works that people find interesting.
What is the meaning or importance of creating for you?
It is a fundamental activity for fitting together my own context and that of other people.
![2008 [12th] Japan Media Arts Festival Award-winning Works 2008 [12th] Japan Media Arts Festival Award-winning Works](/english/festival/images/h1_jusyousakuhin-en2008.gif)







