An abandoned piano that seems unplayable lies in a forest at the edge of a town. Brought up in this piano forest is an unorthodox boy of genial musical talent. This is the story of his desire to become a pianist and of his encounters with many diverse people.

ISSHIKI Makoto
She made her debut with Kaori in Young Magazine, 1984. She won the Kodansha Manga Award for Hanada Shonen-shi in 1995. Her major works include Hanattare Boogie, Doitsumo Koitsumo, Denaoshitoide!, Hassuru, and Gyojin-Sou kara Ai wo Komete. Currently serializing PIANO NO MORI in a magazine.
I was surprised to receive this award, as I was not expecting it at all. I would like to use this opportunity to thank all those who assisted me with the research and everybody else who supported me during this project. However, this story is not finished yet, so please keep watching. Thank you very much.
There is a piano in a forest. It is abandoned and weather-beaten. However, it is also a grand piano set in almost temple-like surroundings, shining under the moon light. It is a piano in a forest, and it reveals its true sound to only one boy…. The images conveyed in the first scenes are especially wonderful. The sound of the forest piano touches the hearts of many people, changing them. The piano can only be played by a boy called Kai, who has been brought up in a rough area called MORI NO HATA (the edge of the forest). There is another boy, called AMAMIYA. He has been greatly moved, and somewhat shocked, by Kai’s uninhibited piano playing, but still aims to find the perfect style for himself. There is also a girl, called Takako, but nicknamed BENJO HIME (toilet princess). She is trying very hard to overcome severe anxiety and nervousness. All the children in the story have their own particular appeal, and as the story progresses they become ever more attractive. It was a narrow victory over MAESTRO, another classical music themed story. PIANO NO MORI was awarded the Grand Prize because the Jury felt that this work would be received more favorably by a wider range of readers, both on account of its easy-to-follow storyline, and because it has children as its main protagonists. This current crop of musically themed manga is a good harvest from recent years.
What makes you create a work?
It is when I am moved by something and want to convey such feelings to someone else….
In the case of PIANO NO MORI, I was inspired when I happened to watch a rebroadcasted television documentary program (the scene of Stanislav BUNIN winning the International Frederick Chopin Piano Competition in 1985).
In the case of PIANO NO MORI, I was inspired when I happened to watch a rebroadcasted television documentary program (the scene of Stanislav BUNIN winning the International Frederick Chopin Piano Competition in 1985).
What tools do you use the most at present?
I mainly use ZEBRA’s G-pens and PILOT’s drawing ink.
What do you place greatest value on in your work?
The characters.
What personal concept runs through your creative activities?
I aim to create something uplifting, as manga is a form of entertainment, but it isn’t always successful….
When you create a work, in what way do you think of a presentation using technologies or media as a means to communicate?
I am afraid that I don’t really think such things.
Could you name a person, a work, or an event that you have been most influenced by?
It was KOBAYASHI Makoto’s Manga no Kakikata (How to draw manga); it was the first manga comic I bought myself. I only had vol.1, but it had such a great impact on me, and I read it repeatedly until it was worn out.
What kind of work would you like to create in the future?
I am not sure yet, though hopefully it will be something exciting.
What is the meaning or importance of creating for you?
To express something that only I can.
![2008 [12th] Japan Media Arts Festival Award-winning Works 2008 [12th] Japan Media Arts Festival Award-winning Works](/english/festival/images/h1_jusyousakuhin-en2008.gif)








