![2009 [13th] Japan Media Arts Festival Award-winning Works 2009 [13th] Japan Media Arts Festival Award-winning Works](/english/festival/images/h1_jusyousakuhin-en2009.gif)

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| © 2009 WADA EI. All rights reserved. |

One day, a spectacular picture popped up in my brain. It was an image of abandoned electrical appliances being played as musical instruments on a street in a town. Using this image as a starting point, I set up the same number of tube televisions and PC-controlled video decks correspond to the number of notes in a musical scale to create a set of gamelan percussion instruments. Tapping TV tubes produces primitive and cosmic electrical music.

WADA Ei
I made a crash landing in 1987. Around the time I began to understand things, I came to believe that a music festival would be waiting at a place where there is a gigantic tower shaped like the leg of a crab with a tube television embedded in it. But at a certain moment, one of my friends pointed out that there was no such place on earth. So, in that case, I decided to make a virtue of necessity and to produce it myself. Every day and night since then, I have worked on bricolage.

Amateurs and professionals compete in the same field in Japan Media Arts Festival, which is a very interesting aspect of this festival. In the exhibition, private productions and corporate productions are displayed in the same space at the same time. This is a kind of chaotic, but I feel it creates diversity that is never seen in other festivals. In that respect, the festival’s judgment criteria are not only concerned with the technology or the cost of a work but also with the themes that each work conveys. I think this is a very good point.
However, I think there are still some difficulties in the way works are displayed in their category depending on the division. In my opinion, an exhibition should focus on appreciating original works, viewing live performances, and listening to what creators say. This is essential for exhibitions. Setting up presentation stages this year was a good point. I think the festival should increase its plans for live performances and exhibits of original works (especially installations and interactive works in the Art Division) as much as possible, depending on the trend of works. What is important is to create something that we can only experience by going there.

There are relatively few opportunities to specifically illustrate abstract ideas of media. In this work, the artist has brought an event into existence in a way that seems to embody Channon’s Theory of Communication, which makes us rethink about media. “One day, I accidentally plugged a sound cable into the composite video connector and the sound was rendered as an image. When I saw this, I thought that the same sound might be reproduced if I re-recorded it using a camera and output it as sound.” This work started from the artist’s encounter with this discovery. Similarly, a sound can be reproduced also as a sound even though it has once been transformed into an image.
People use various media daily, but perhaps, people judge media from just the specific results. This work strengthens our awareness that we create expressions and live in a world where we utilize technologies that have plasticity and reconstructive properties, and we enhance these into other forms of expression.

What makes you create a work?
It’s when I find something and when a story or image sparks in my head.
What tools do you use the most at present?
What do you place greatest value on in your work?
What personal concept runs through your creative activities?
When you create a work, in what way do you think of a presentation using technologies or media as a means to communicate?
It is not old or new but I take in interesting thoughts or technologies without hesitation and use them together in my work.
Could you name a person, a work, or an event that has most influenced you?
I remember it when I was 10 years old or so, there was an envelope made of thin paper with strange picture on it and a black disk in it. I placed the disk on a dusty machine and let it turn. When I dropped a needle attached to an arm, sound began to come out. It was like magic. The sound that came from it then was shocking music. It was music with distorted sounds, voices, and musical instruments, pounding beats, and explosive images.
What kind of work would you like to create in the future?
A music festival where soil and electronics are blended.
What is the meaning or importance of creating for you?